Leads: Roni Alperin (Yankl), Jill Eickmann (Soreh), Elena Faverio (Rivkeleh), Chloe Piazza (Mankeh), Simon Winheld-(Shlomo), Esther Mulligan (Hindl), Naomi Newman (Reb Eli), Josiah Prosser (A Scribe), Rebekah Kouy-Ghadosh (Basha), Frances Sedayao (Rayzel)
“To kick off our first season, we have chosen the towering 1906 classic God of Vengeance (Got Fun Nekome) by the prolific Yiddish writer Sholem Asch. We have brought together a great cast of actors from the San Francisco Bay Area, New York, Las Vegas and Los Angeles who are finding innovative ways to create ensemble, and virtual theatre. We look forward to sharing this production with you!”
— Laura Sheppard, Producer
“For over one hundred years this play has given voice to those of us on the fringes of traditional society. With its searing humanity, moral broken beauty and deep understanding of the ‘other’, this rarely performed gem of the Yiddish stage is shockingly relevant to our own violent and patriarchal system. Nearly a century after it was banned in the United States, we are elated to have many in our audience witness Asch’s play for the first time!”
—Bruce Bierman, Director
Ensemble: Linda Ayres-Frederick (Old Blind Woman), Heather Klein (The Chanteuse), Gilberto Melendez, Merle Nadlin, Leni Seigel, Randall Solomon, Denise Hingle
Meet renowned actor Shane Baker (New York) star of the New Yiddish Rep’s 2016-2017 Yiddish production of God of Vengeance
Plus the singer with the concertina Myrna Oy (Canada), and Klezmer inspired flutist Marian Concus (Bay Area).
Hosted by Laura Sheppard and Bruce Bierman.
The Yiddish Theater Shmooze is a once a month gathering with theatre lovers to share performances, readings and conversation!.
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Watch for Zoom link here
Due to Covid-19 public restrictions, Yiddish Theatre Ensemble presents online film/video performances for the Bay Area premiere of this bold and provocative play, directed by Bruce Bierman. It features an English translation by Caraid O’Brien including Yiddish language and idioms. Although the original script was set in turn-of-the-20th century Poland, this production is set in New York’s Lower East Side circa 1930. Gorgeous digital set designs by Technical Director/Videographer Jeremy Knight of West Edge Opera and period costumes by Wardrobe Consultant Suzanne Stassevich, formerly of San Francisco Opera, create the visual ambiance of the play. Klezmer musician David Rosenfeld is composing a rich sound score to enhance this evocative drama. Also behind the scenes are Assistant Director Karen Sellinger, Dramaturg Sara Pizer-Bush consulting on Jewish practice, and Production/Media Consultant Nadav Hochman of Gray Area.
The production also coincides with the 40th Anniversary of Yiddish Book Center (Amherst, MA) and their nationwide celebration. The book center’s Editorial Director David Mazower—great grandson of playwright Sholem Asch—will give a pre-production lecture online. Watch for details!
This production is fiscally sponsored by KlezCalifornia.
After the play’s Berlin opening in 1907, God of Vengeance had tremendous success throughout Europe and was translated into many languages. In New York, it was first seen on the Yiddish stages starring the great Dovid Kessler. The first English production opened in 1922 at the Provincetown Theater in Greenwich Village. In 1923, the English production opened at the Apollo Theater on 42nd Street. Soon after, the show was raided, closed down, and the actors arrested on obscenity charges due to the play’s unconventional themes and portrayals–including the first lesbian kiss on Broadway. The shocking details of the play were assailed by both the religious and cultural establishment.
The history of Asch and God of Vengeance was the inspiration for the 2015-2017 Tony award-winning Broadway production Indecent. Our Director, Bruce Bierman, served as Yiddish Dance Dramaturg for Indecent recently produced by the acclaimed Oregon Shakespeare Festival.
Considered one of the most psychologically revealing plays of the first half of the 20th century, God of Vengeance is still controversial for its views on religious hypocrisy, morality, and sexual freedom.
This is the story of an observant Jewish family trying to survive during hard times. The father runs a brothel in their cellar, attempting to make enough money to commission a Torah scroll so he can marry off his daughter to a yeshiva student and keep her pure. Tensions mount as arrangements are made and passions are exchanged, while others threaten his plans. When he discovers that his daughter has fallen in love with one of his prostitutes, his belief that God will exact vengeance upon him begins to unravel his mind into madness.
Yiddish Theatre Ensemble (YTE) is dedicated to producing the rich, rarely performed repertory of the past 150 years, as well as new works by living artists through performances, readings, lectures, and workshops. YTE strives to bring a contemporary approach and relevance to this legacy while staying true to the essence of the original scripts. Productions are in English and Yiddish with subtitles.
Laura Sheppard, producer and Bruce Bierman, director and co-artistic directors, have collaborated for more than a decade to create community-based productions in affiliation with fiscal sponsor KlezCalifornia. Their successes include the popular Yiddish musical Di Megileh of Itzik Manger, produced by the Yiddish Theater Collective (March 2014) and New Yiddish Theater (February 2015) as part of the Jewish Music Festival, as well as KlezCalifornia’s Cabaret by the Bay.
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